In Progress

Coffee & Conversations with Franz K and Robert M by Patrice Drago

I knew I wanted to do a very large abstract painting about coffee, since my caffeine intake has been increasing steadily.  I started with a 48" x 48" canvas, I took a few long sweeps with a very large brush.  I felt like Franz Kline had just shown up. (below left)

I added Titanium Buff to suggest cream.  Five years ago, I bought this amazing sheet of waxy paper with wire running through it, and never had a place to use it - until now.  I love that it is heavy duty, but you can still see the brown paint underneath. (above center)

I felt like it needed a blue shape - bold but soft.  I added it, and then felt Robert Motherwell had just joined Franz and me.  The idea of the painting emerged - If I could go back in time, I would love to have coffee with these two iconic American Abstract Expressionists.  So what would we talk about? (above right)

On a very large table, I set up my supplies and pulled out dozens of magazines, books, music sheets and catalogs, and completely immersed myself in finding images and text that would imply, symbolize and directly state topics that we would cover if we had unlimited coffee and time to chat. 

Because this canvas is so large, I had to get on a ladder to take pictures as I arranged and rearranged the collage items to find the right placement. I always take pictures of paintings in progress to give me a different and framed perspective on it; for this part of the process, I took over 100 pictures, having fun with the conversation in my head. 

At this point, I knew I needed to expand the blue for a more balanced composition, but I wasn't ready to paint it, because I wanted it to lay on top of the finished collage, and I wasn't there yet.  I took painter's tape and laid it down, moving it around until it was where I wanted the final paint stroke to be.

After fixing all of the collage items, I replaced the tape with blue paint. (above left)

To finish the painting, I added white paint with large amount of pure soap, shaken to create bubbles for the froth.  I then added interference violet in streaks through the cream to signify some exciting moments of conversation. (above right)

Now I can't wait to get in my time machine and invite more great people in history to have coffee and conversation.

 

For more information about Patrice, visit her Artist-in-Residence profile

This is part of an ongoing monthly series featuring a Maryland Hall Artist-in-Residence (AIR). Check Maryland Hall's website every week for a new post. Each month we will feature a different AIR. Click here to visit the Maryland Hall AIR page.

"Winter Sleeper" in the early stages, with the addition of detail as it progresses.

Working on "Winter Sleeper."

"Winter Sleeper" ready to be unloaded from the glaze kiln. It was fired to about 1888 degrees in the electric kiln and covered in a matt textured black glaze mixed by me.

The finished piece ready to be packed and shipped to the New Bedford Art Museum.

 

For more information about Lindsay, visit her Artist-in-Residence profile

This is part of an ongoing monthly series featuring a Maryland Hall Artist-in-Residence (AIR). Check Maryland Hall's website every week for a new post. Each month we will feature a different AIR. Click here to visit the Maryland Hall AIR page.

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